Monday, April 8, 2013

How to Write a Novel Synopsis: 5 Tips (Guest Post by Chuck Sambuchino)


(This column excerpted from GUIDE TO LITERARY AGENTS, from Writer’s Digest Books.)

I’ve never met a single person who liked writing a synopsis. Seriously—not one. But still, synopses are a necessary part of the submission process (until some brave publishing pro outlaws them), so I wanted to share 5 basic tips today regarding how to compose one in case you’re query agents or getting ready to pitch at a writers’ conference.

Photo by welcometoalville
A synopsis is a summary of your book. Literary agents and editors may ask to see one if you’re writing an adult novel, a memoir, or a kids novel (young adult, middle grade). The purpose of a synopsis request is for the agent or editor to evaluate what happens in the three acts of your story to decide if the characters, plot and conflict warrant a complete read of your manuscript. And if you haven’t guessed yet, they’re pretty tough to write. If you are indeed putting one together and sending your work out, check out these tips below:

1. Reveal everything major that happens in your book, including the ending. Heck, revealing the story’s ending is a synopsis’s defining unique characteristic. You shouldn’t find a story’s ending in a query or in-person pitch, but it does leak out in a synopsis. On this note, know that a synopsis is designed to explain everything major that happens, not to tease — so avoid language such as “Krista walks around a corner into a big surprise.” Don’t say “surprise,” but rather just tell us what happens.

2. Make your synopsis two pages, double-spaced. There is always some disagreement on length. This stems from the fact that synopses used to trend longer (six, eight, or even 12 pages!). But over the last five years, agents have requested shorter and shorter synopses — with most agents finally settling on 1-2 pages, total. If you write yours as one page, single-spaced, it’s the same length as two pages, double-spaced — and either are acceptable. There will be the occasional agent who requests something strange, such as a “5-page synopsis on beige paper that smells of cinnamon!” But trust me, if you turn in a solid 1-2 page work, you’ll be just fine across the board.

3. Take more care and time if you’re writing genre fiction. Synopses are especially difficult to compose if you’re writing character-driven (i.e., literary) fiction, because they may not be a whole lot of plot in the book. Agents and editors understand this, and put little (or no) weight into a synopsis for literary or character-driven stories. However, if you’re writing genre fiction — specifically categories like romance, fantasy, thriller, mystery, horror or science fiction — agents will quickly want to look over your characters and plot points to make sure your book has a clear beginning, middle and end, as well as some unique aspects they haven’t seen before in a story. So if you’re getting ready to submit a genre story, don’t blow through your synopsis; it’s important.

(Hi, everyone. Chuck here chiming in for a second. I wanted to say I am now taking clients as a freelance editor. So if your query or synopsis needs some love, please check out my editing services. Thanks!)

4. Feel free to be dry, but don’t step out of the narrative. When you write your prose (and even the pitch in your query letter), there is importance in using style and voice in the writing. A synopsis, thankfully, not only can be dry, but probably should be dry. The synopsis has to explain everything that happens in a very small amount of space. So if you find yourself using short, dry sentences like “John shoots Bill and then sits down to contemplate suicide,” don’t worry. This is normal. Lean, clean language is great. And lastly, do not step out of the narrative. Agents do not want to read things such as “And at the climax of the story,” “In a rousing scene,” or “In a flashback.”

5. Capitalize character names when characters are introduced. Whenever a new character is introduced, make sure to CAPITALIZE them in the first mention and then use normal text throughout. This helps a literary agent immediately recognize each important name. On this subject, avoid naming too many characters (confusing) and try to set a limit of five, with no more than six total. I know this may sound tough, but it’s doable. It forces you to excise smaller characters and subplots from your summary — actually strengthening your novel synopsis along the way.

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Check Out These Great Upcoming Writers Conferences:
Feb. 11, 2017: Writers Conference of Minnesota (St. Paul, MN)
Feb. 24, 2017: The Alabama Writers Conference (Birmingham, AL)
Feb. 25, 2017: Atlanta Writing Workshop (Atlanta, GA)
March 25, 2017: Michigan Writers Conference (Detroit, MI)
March 25, 2017: Kansas City Writing Workshop (Kansas City, MO)
April 8, 2017: Philadelphia Writing Workshop (Philadelphia, PA)
April 22, 2017: Get Published in Kentucky Conference (Louisville, KY)
April 22, 2017: New Orleans Writers Conference (New Orleans, LA)
May 6, 2017: Seattle Writers Conference (Seattle, WA)
May 21, 2017: Get Published in San Diego (San Diego, CA)
June 24, 2017: The Writing Workshop of Chicago (Chicago, IL)
July 22, 2017: Tennessee Writers Workshop (Nashville, TN)
Sept. 9, 2017: Chesapeake Writing Workshop (Washington, DC)

Other columns by Chuck Sambuchino
- What to Write in the “Bio” Section of Your Query Letter
- How to Write a Screenplay: 7 Starting Tips for Adapting Your Own Novel
- Why “Keep Moving Forward” is My Best Advice For Writers Everywhere
- Do You Need Multiple Agents if You Write in Different Genres?
- Building Your Writer Platform—How Much is Enough?
- Getting Specific: What Literary Agents Want to Get RIGHT NOW
- 15 Questions to Ask a Literary Agent Before You Sign
- Crafting a Novel’s Pitch: 7 Tips
- 25 Debut Authors Share Advice for Getting Published
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Chuck Sambuchino of Writer's Digest Books edits the GUIDE TO LITERARY AGENTS and the CHILDREN'S WRITER'S and ILLUSTRATOR'S MARKET. His Guide to Literary Agents Blog is one of the largest blogs in publishing.
    His 2010 humor book, HOW TO SURVIVE A GARDEN GNOME ATTACK, was optioned by Sony Pictures. Chuck has also written the writing guides FORMATTING and SUBMITTING YOUR MANUSCRIPT and CREATE YOUR WRITER PLATFORM.
    Besides that, he is a freelance book and query editor, husband, sleep-deprived new father, and owner of a flabby-yet-lovable dog named Graham. Find Chuck on Twitter and on Facebook

8 comments:

  1. Thank you. Very helpful tips.

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  2. Thank you. Will make sure I use these... :)

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  3. Thanks! This helps 'cause I'm never sure how much to include.

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  4. Thank you for these tips! They were very useful.

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  5. I've always struggled with this and there never seems to be enough info on the web about it. One of the tips I did hear was to write the synopsis before you write the book, you can then go back and tweak it to fit once you have finished your bestselling tome. Works fine as long as the plot stays roughly the same.

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  6. I have struggled with getting my synopsis written and successfully submitted to a literary agent for the last 2 years. I am going to attempt to use these tips in rewriting my synopsis. Thank you for this article. Writing is a career that is hard to get into and stay in tune with.

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  7. Number #1 gives away a big secret ;-) Thanks ladies for inviting Chuck over.

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  8. Thanks. Does it sound hilarious for one to have “corruption“ as a genre?
    Yiro.

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